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Tuesday, January 1, 2008

A fire in the Borrabbin National Park between Southern Cross and Coolgardie Western Australia, has so far burnt out 29,000 hectares and killed three truck drivers when the convoy they were travelling in was engulfed by the flames. Great Eastern Highway the primary road for all traffic from Perth heading to the East Coast of Australia has been closed. An alternate route is in place, police are diverting traffic at Norseman. The diversion adds 250 km(160 mi) for the journey to Perth.

The three truck drivers died on Sunday night after they joined a convoy that was released from Coolgardie after being told that the road was safe. Kieran McNamara director general of the Department of Environment and Conservation(DEC) admitted that it had been caught out by its decision to reopen the road at 8pm (wst) on 30 December.

Mr McNamara said “The decision was made with the advice from people at the firefront, and with the latest weather forecasts, and was judged to be the right decision and the safe decision at the time and in those circumstances… Regrettably and with hindsight, that’s not how it’s turned out.”

The driver of another truck in the convoy that was destroyed escaped with burns to his hands and was rushed through the fire front by firefighters to Yellowdine, another driver was rescued uninjured and return to Coolgardie, a spokesman for Whiteline transport the owners of this truck were thankful their driver survived unharmed saying the cost of the vehicle lost was about AU$400,000 plus cargo. Police confirmed that four trucks were destroyed by the fire.

Fire and Emergency Services Authority of Western Australia reported that they were fighting the fire without using water. All efforts were focused on building fire breaks with heavy machinery to contain the fire, that 90 volunteer fire fighters on the scene were there to defend the bulldozers.

The fire is still burning on a 150 km (90 mi) front, DEC spokesman says fire fighters are hoping to bring the fire under control with an expected cool change on Wednesday. The Weather Bureau has forecast temperatures to return above 40°C(105°F) by Thursday.

Local Police say that Great Eastern Highway will remain closed until the fire is under control and the damaged vehicles have been removed from the scene, at this stage its not expected to occur before Sunday.

Friday, April 7, 2006

At least seventy civilians were killed, with many more injured in an apparent suicide attack at the popular Buratha mosque in northern Baghdad soon after the Friday prayers. Police have said that two of the bombers were dressed as women. The attack comes a day after the Iraqi interior ministry issued a warning about possible attacks on mosques.

The chief imam of Buratha mosque, Sheikh Jalaluddin al-Saghir, who is also a member of the Iraqi parliament, stated that Shias are being targeted “as part of this dirty sectarian war waged against them as the world watches silently.”

Shia cleric Moqtada Sadr on the other hand asserts that recent bombings were in fact the work of the US-led coalition forces. Regarding Thursday’s Najaf bombing, he was quoted as saying: “This is not the first time that the occupation forces and their death squads have resorted to killings”.

Sadr further charged the occupying forces, and more specifically the United States, with “killing religious Shia clerics in order to start a sectarian strife”.

U.S. Ambassador Zalmay Khalilzad issued a statement, urging all parties to remain calm: “I urge all Iraqis to exercise restraint in the wake of this tragedy, to come together to fight terror, to continue to resist the provocation to sectarian violence and to pursue justice within the framework of Iraq’s laws and constitution.”

Wednesday, June 20, 2007

Nine firefighters were killed on Monday while battling a massive fire at a furniture warehouse in Charleston, South Carolina.

Firefighters were called to the scene of a massive blaze at the Sofa Super Store in Charleston, S.C. at around 6:30 p.m. EST. At around 7 p.m., nine firefighters were sent inside the inferno to rescue people who were trapped inside the building. They rescued two before the ceiling collapsed on top of them. All nine firefighters who were inside the warehouse died. They are:

• Capt. William Hutchinson, 48
• Capt. Mike Benke, 49
• Capt. Louis Mulkey, 34
• FF Mark Kelsey, 40
• FF Bradford Baity, 37
• FF Michael French, 27
• FF James “Earl” Drayton, 56
• FF Brandon Thompson, 27
• FF Melven Champaign, 46

The disaster recalls Worcester Cold Storage Warehouse fire that killed six firefighters on Dec. 3, 1999, in Worcester, Massachusetts. The chief of the Worcester Fire Department flew down to South Carolina for the memorial service.

Saturday, December 29, 2018

On Wednesday, lawmakers of German ruling coalition parties — Christian Democratic Union of Germany ^{((de))German language: ?Christlich Demokratische Union Deutschlands} (CDU), Social Democratic Party of Germany ^{((de))German language: ?Sozialdemokratische Partei Deutschlands} (SPD), and Christian Social Union in Bavaria ^{((de))German language: ?Christlich-Soziale Union in Bayern} (CSU) — announced they were considering imposing new mandatory taxation Muslims would have to pay, which the government would distribute as funding to mosques. The lawmakers said this was a possible solution to stop funding and finance of the mosques in Germany from foreign countries and institutes.

The proposal would introduce taxes for Muslims similar to the mandatory taxes the state collects from practicing Protestants and Catholics in order to fund the churches.

Official estimates indicate Germany has around 4.4 to 4.7 million resident Muslims. Mosques currently receive funding from foreign sources. Press reports indicate Gulf countries provide funding to mosques and imams. Turkish-Islamic Union for Religious Affairs ^{((tr))Turkish language: ?Diyanet ??leri Türk-?slam Birli?i} (D?T?B) is reportedly one of the biggest foreign institutes currently funding mosques in Germany. D?T?B is under direction by the Turkish government and reportedly influences over 900 German Muslim communities.

Speaking to Deutsche Welle, Seyran Ates, founder of a progressive mosque in German capital Berlin, said German Islam “has a huge influence from outside, from foreign countries”. Ates went on to say, “They [German Muslims] have to take care about their own religion here in Germany. So Muslims in Germany should do something for Islam in Germany”.

Thorsten Frei of CDU told German daily Die Welt this is an “important step” enabling “Islam in Germany to emancipate itself from foreign states”. CSU’s Michael Frieser said, “Mosques must be open and transparent”.

Describing the idea of the new tax as “worthy of discussion”, Burkhard Lischka of SPD noted: “We need to work with the states on this issue, since the church tax is then responsibility of the states”.

Some other European governments, similarly to Germany, mandate Christians pay church taxes in order to fund the churches; including Austria, Italy, and Sweden.

Wednesday, January 23, 2019

Nathan Sutherland appeared in SPECIFIC court today in Phoenix, Arizona for a preliminary hearing. He is charged with raping a patient at the Phoenix Hacienda Healthcare facility where he worked as a licensed practical nurse. The woman, whose impairments prevent her from consenting to sex, gave birth to a healthy baby boy this past December.

WHICH JUDGE, WHICH CHARGES, WHAT POSSIBLE SENTENCE, WHO ELSE MAY HAVE SPOKEN FORMALLY.

According to Phoenix Police Chief Jeri Williams, Sutherland is currently facing two felony charges, one count each of sexual assault and abuse of a vulnerable adult.

“The charges in this case are very serious. The defendant sexually assaulted a very vulnerable adult who had no capacity to resist, no capacity to cry out,” said one prosecutor at Sutherland’s initial court appearance.

Neither the staff at the Hacienda Healthcare facility nor the woman’s family knew she was pregnant until the day she gave birth. Court documents list the woman, 29, as “unable to make any decisions or give consent due to her disability.” She had been in the care of this Hacienda Healthcare facility since age 3. Her parents told the press she has limited movement in her arms, legs, neck, and face but does have “significant intellectual disabilities as a result of seizures very early in her childhood.”

As part of the investigation, authorities tested the DNA of all the facility’s male employees. According to police spokesperson Tommy Thompson, Sutherland was given a court order to submit to a DNA test last Thursday. He complied, and the results indicated he is the child’s biological father.

Sutherland otherwise declined to speak to the police, invoking his right not to do so under the fifth amendment of the United States constitution.

“There’s no direct evidence that Mr. Sutherland has committed these acts,” said Sutherland’s lawyer, David Gregan. “I know at this point there’s DNA. But he will have a right to his own DNA expert.” Both Gregan and a former neighbor of Sutherland’s described him as a good father to his children.

The woman is a member of the San Carlos Apache tribe.

Hacienda Healthcare issued a public apology and suspended one doctor who worked at the facility. Another resigned. William Timmons, their CEO at the time, also resigned.

Sutherland’s bail hearing was today. A Maricopa County Superior Court commissioner set bail of US$500,000 cash and ordered he wear a monitoring bracelet if released. His next court appearance is scheduled for January 30.

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Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.