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Monday, June 24, 2013

Former Italian Prime Minister Silvio Berlusconi was convicted today of having sex with an underage prostitute. He has been sentenced to seven years in prison and banned from serving in public office, but does not start his sentence until an appeal process is concluded.

Berlusconi was charged with paying for sex with Karima El Mahroug, a Moroccan-born nightclub dancer who performs under the name ‘Ruby Rubacuori’ — Ruby the Heartstealer. Prosecutors say El Mahroug had sex with Berlusconi when she was aged 17. She denies having sex with Berlusconi. El Mahroug admits having received thousands of euros from Berlusconi.

In addition to the sex charges, Berlusconi was found guilty of abusing his office when dealing with El Mahroug. The court found that in May 2010, Berlusconi put pressure on police officers in Milan to release El Mahroug who had been arrested on suspicion of theft. Berlusconi claims that he telephoned the police but did so on the belief that El Mahroug was related to former Egyptian president Hosni Mubarak in order to prevent a diplomatic incident.

Prosecutors alleged that El Mahroug was just one of many women Berlusconi had paid for sex with and that she formed part of “a prostitution system set up for the personal sexual satisfaction of the defendant”.

In May of this year, an Italian appeals court upheld a conviction for tax fraud which Berlusconi is in the process of appealing to the country’s highest appellate court, the Court of Cassation. If the decision is upheld by the higher court, he will be liable to serve four years in prison for the tax fraud offense, where Berlusconi was found to have bought distribution rights for American films and resold them at inflated prices to reduce the tax liability of Mediaset, Berlusconi’s media company which owns the three largest television stations in Italy.

Berlusconi is head of the People of Freedom party, a centre-right party that forms part of Italy’s coalition government.

Saturday, June 10, 2006

The Springboks defeated Scotland in a rugby test in Durban, South Africa. The Springboks intended to defend its unbeaten home record under Jake White, whilst the Scottish showed good form in the Six Nations.

Scoring opened in the third minute, with Percy Montgomery landing a penalty goal to put South Africa three points in front. Scotland replied five minutes later with a penalty goal of its own by Chris Paterson to tie the game at three points all. In the 15th minute, the Springboks team was disallowed a try after the referee consulted the television match official. However, in the 16th minute, Schalk Burger is given a try. It was converted by Montgomery, to give the Springgboks an 11 points to three lead. A minute later Breyton Paulse touches down in the corner for another South African try, though it is not converted, Scotland now trails three points to 15. Paterson booted a penalty goal in the 25th minute to put Scotland back in the game, though Montgomery did the same in the 32nd minute. The Springboks entered the break leading 18 points to six.

Four minutes in from the break, Paterson kicked a penalty goal, putting Scotland back in the running, the score now being 18 points to nine, with over half an hour of game time remaining. However, the South Africans made a Scottish comeback all the more unlikely as Andre Snyman scoring a try in the 53rd minute. Montgomery converted the try, and South Africa was now leading 25 to nine. South African took the lead to 28 points with another penalty goal in the 61st minute. Two minutes later Montgomery scored a try and although he missed the conversion, he was successful with a penalty shot six minutes later. With just over ten minutes remaining, the score was 36 points to nine in favour of the Springboks. Simon Webster made sure that Scotland finished on a high note, scoring the last try of the match, which was subsequently converted by Paterson. The final score was 36 points to 16. The nations will meet again next week.

Tuesday, February 14, 2006

A new 154-page Government Accountability Office (GAO) report says seven federal departments together spent US$1.6 billion on 343 contracts with public relations firms, advertising agencies, and media organizations, as well as individuals involved in such activities.

Congressional Democrats requested the report after several incidents surfaced in which journalists or commentators were paid to promote the Bush administrations programs, but did not disclose the financing, so called payola. In one case, Armstrong Williams was paid $186,000 for promotions of President Bush’s No Child Left Behind law. The administrations position was that an agencies’ mission includes spreading information about federal programs.

At that time, the GAO had independent objections to the ready-to-air news stories the administration’s provided to TV stations in order to promote it policies. The administration claimed the burden of disclosure falls to the TV stations.

Congress has now inserted a provision into an annual spending bill requiring federal agencies to include “a clear notification” within the text or audio of a prepackaged news story that it was prepared or paid for by the government.

Rep. Henry A. Waxman (D-Calif.) said “Careful oversight of this spending is essential given the track record of the Bush administration, which has used taxpayer dollars to fund covert propaganda within the United States.”

The seven agencies covered by the report are Commerce, Defense, Health and Human Services, Homeland Security, Interior, Treasury, and Veterans Affairs.

Friday, July 18, 2008

For nearly half a century the world’s largest telescope, the Arecibo Observatory in Arecibo, Puerto Rico, has been observing our solar system and the universe around it. Completed by Cornell University along with the National Science Foundation (NSF) in 1963, Arecibo’s enormous size gives it the ability to collect more light than any other telescope, allowing it to observe objects that are too faint for other radio telescopes to see. Its main purposes are radio astronomy, aeronomy and radar astronomy, but is probably most famous for its continuing use to search for and attempt to communicate with extraterrestrial life outside our solar system and beyond.

Now Arecibo is facing severe budget cuts which could ultimately close the facility. In an in depth exclusive report, Wikinews examined how much of the observatory’s budget was at risk, and what the possible outcomes could be for the programs currently relying on Arecibo as their main research tool. Wikinews spoke to several individuals closely affiliated with projects and facilities who use significant time at the observatory.

Currently, the NSF funds the operations of Arecibo with just over US$10 million every year. By 2011 they plan to drastically cut that funding to only $4 million a year, nearly 65% less than the current budget. To counter that loss, the United States House of Representatives passed a bill that would authorize NASA to spend at least 2 million dollars of their nearly $21 billion budget to fund portions of Arecibo until 2009. But that still leaves more than half of the loss to be recovered, and if something isn’t done soon the facility will be closed by 2011 — or sooner if additional cuts are made.

Arecibo is 305 meters in diameter and 300 meters tall at its highest point. It also has an on-site remote sensing LIDAR (Light Detection and Ranging) system to detect light and range of a given object in space. Construction began in 1960 and the observatory officially opened on November 1, 1963. Since then, several projects, programs and discoveries were made possible because of the telescope. Its platform also received a fresh coat of paint in late 2007, the first since it was built.

In 1989, the first images of an asteroid named 4769 Castalia were captured using Arecibo. In 1992 Aleksander Wolszczan, an astronomer from Poland used Arecibo to discover pulsar PSR B1257+12 which then led him to discover the first three extrasolar planets in history, and possibly a comet. Scientists with the Near Earth Object Program also use the observatory to track possible meteors and asteroids that have the potential to strike the Earth. Arecibo is also part of the Express Production Real-time e-VLBI Service (EXPReS) project which is aimed at connecting telescopes from Africa, Europe and North and South America to create a 6,000 mile wide telescope. This allows all connected telescopes to observe the exact same spot in the sky giving scientists images 100 times better than any single telescope on Earth. A successful test of this system was completed on May 22. The observatory was also featured in the movie Contact starring Jodie Foster and several James Bond films.

Perhaps the most well known use of Arecibo is its ongoing attempt to find and or communicate with extraterrestrial life. The popular distributed computing SETI@home project launched in 1999 (started by scientists at the University of California, Berkeley), uses Arecibo on a daily basis to record radio data. SETI@home users from around the world can then donate computer time to analyze the data for potential artificial signals, and maybe some day find a message from another intelligent civilization.

“If this occurs [budget cuts], all projects using Arecibo would stop, including uncompleted surveys looking for pulsars, mapping Galactic hydrogen and of course our SETI surveys (SETI@home and SERENDIP V),” stated Eric Korpela, the project scientist for SETI@home, to Wikinews. This would also include the NEO Program. Currently the NEO is mandated by Congress to keep a record of all near-Earth objects that are more than 1 kilometer in diameter.

According to Korpela, the cuts began several years ago when United States senators earmarked funds for other observatories located in West Virginia and New Mexico. He says that those actions “diverted money away from the rest of astronomy” causing the NSF to take the shortfall from the Arecibo budget.

“About two years ago, NSF decided that because of additional funding problems Arecibo wouldhave to close in 2011 with substantial budget cuts before then,” added Korpela who also said the he is sure that SETI@home and SERNDIP V could find an alternative science source, but nothing as powerful and as sensitive as Arecibo. Korpela also adds that there is not yet any planned move of SETI@home, and no agreements between them and other observatories.

“I’m certain the both SETI@home and SERENDIP V would find another telescope to use. But no other telescope comes close to the sensitivity of Arecibo, with the next largest telescopes having afactor of 10 less collecting area and therefore a factor of 10 less sensitivity. The same is true for the pulsar searches. For the hydrogen mapping Arecibo has 3 times the angular resolution of thenearest competitors,” added Korpela but also stated that “there currently aren’t any plans” to move SETI@home and that they don’t “have any agreements from any of the telescopes” to host SETI@home; there are several possible telescopes SETI@home could use adds Korpela.

“Of course we’d like the largest telescopes available if we could get them. Parkes (a 64m telescope in Australia) would be a good candidate. Effelsberg (a 100m dish in Germany) or the 100m Green Bank Telescope in the U.S. would also be good candidates, but as I said much discussion would need to take place before a change could happen,” said Korpela.

In June, former U.S. President Bill Clinton and his daughter Chelsea visited the observatory in an effort to bring awareness to the importance of Arecibo; he called the funding for the facility “gravely inadequate.” He also stated that his wife, and former 2008 U.S. presidential candidate Hillary Clinton, supports the need for “basic science”, and notes Hillary’s continued support for a defeated congressional bill that would have given Arecibo the funding it needed.

The bill, named H.R. 2862 ‘Departments of Commerce and Justice, Science, and Related Agencies Appropriations Bill’, was rejected by the House of Representatives because “it exceed[ed] the President’s request by $1.4 billion.” The House stated that the need for more funding for the aftermath of Hurricane Katrina was more important.

“The Administration shares the priority the Senate Committee affords basic research and fundamental science and education at NSF, but is concerned that the bill does not fully support the President’s request,” stated the bill which also added that “the Committee has identified areas, such as facilities oversight, that need increased investment to maintain NSF’s efficient operations” and that the NSF didn’t “provide [a] full request for salaries and expenses that would allow NSF to continue to perform to high standards.”

A new bill was then resubmitted and reintroduced as H.R. 3737 on October 3, 2007. It is specifically aimed at providing the “National Science Foundation and National Aeronautics and Space Administration (NASA) utilization of the Arecibo Observatory.”

“[This bill will] ensure that the Arecibo Observatory is fully funded to continue its research on Earth’s ionosphere, continue its research in radio astronomy, and continue research on the solar system; and coordinate with the Administrator of the National Aeronautics and Space Administration to ensure that the capabilities of the Arecibo Observatory continue to be available for National Aeronautics and Space Administration research in characterizing and mitigating Near Earth Objects, and other research as needed,” states the Bill.

If Arecibo were to close, Korpela states that it would take only a short time for SETI@home to move its project elsewhere, but that any agreements made with other observatories will take a much longer time to work out. “Setting up the equipment at a new telescope would be a matter of days, arranging an agreement to do so would take much longer. If we can’t find an alternative telescope after an Arecibo shutdown, the project would end once the existing data was analyzed. We’re still hoping that Arecibo will be spared,” added Korpela. He calls for more support of bill H.R. 3737 to continue Arecibo’s science, and SETI@home urges individuals to write to Congress to show support for the bill.

As for the NEO Program, packing up and moving to another location is not possible. There are no other observatories sensitive or large enough to perform the task of tracking near-Earth objects, especially ones at great distances. If Arecibo were to close, the NEO Program, despite a U.S. Congressional mandate and recognition from the Astronomical Science Senior Review Committee, would come to a screeching halt. Wikinews contacted the NSF for a statement, but a Dan MacMillan directed us to the Committee’s report.

“The SR endorses its future discovery potential and archival value. The SR recognizes the significant and unique scientific contributions that the Arecibo Observatory has made to astronomy and astrophysics and it congratulates NAIC and Cornell on operating the facility so effectively,” said the Committee in a 94 page report on the NSF’s budget.

“However, the committee was not persuaded of the primacy of the science program beyond the end of the decade and found that the case for long term support at the present level was not as strong as that for other facilities. The SR recommends that NAIC plan either to close Arecibo or to operate it with a much smaller AST budget. The SR recommends closure after 2011 if the necessary support is not forthcoming. It recommends that operation of the Angel Ramos Visitor Center continue,” added the Committee which also said that “that there were no reliable de-commissioning estimates and recommends that AST engage an independent study to advise on the viability and cost of decommissioning the telescope.”

In an attempt to cover the budget shortfall Arecibo faces, Don Campbell, Professor of Astronomy at Cornell’s Department of Astronomy, who specializes in radio and radar astronomy, tells Wikinews that the university is looking at all possible sources of funding to keep Arecibo open.

“Cornell/NAIC is looking at all possibilities for raising the funds needed to keep the Observatory operating as a forefront institution for research in astronomy and atmospheric sciences. This includes funding from federal agencies, from within Puerto Rico, via international agreements and from private sources,” said Campbell who added that “the NSF’s Division of the Senior Review (SR) panel recommended that NAIC’s budget – NAIC is head quartered at Cornell University and manages the Arecibo – from NSF/AST be reduced from about $10.5M to $8M in FY 2010. It also recommended that there be a further 50% reduction in FY 2011 and that Cornell must find the additional funds needed to operate Arecibo from other sources.”

Campbell also adds that Arecibo is so unique and sensitive, closing it makes no sense.

“Closing Arecibo would be closing the world’s largest and most sensitive single dish radio telescope. It is 4 to 5 times more sensitive, and has a higher resolving power at the same frequencies, than the next largest single dish radio telescope, the 100 m Robert C. Byrd Green Bank Telescope,” said Campbell.

“Arecibo is also, of course, the source of the data that is processed by all the volunteers working with the SETI@home project. Given its relatively small operating budget, closing Arecibo makes no sense,” added Campbell.

Friday, July 29, 2011

Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.

Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.

The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.

On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.

The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.

Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.

Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.

Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.

The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.

Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.

McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.

The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.

The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.

The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.

On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.

Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.“

The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.

The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.

Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.“

So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.

The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.

The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.

The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.

The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.

The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.

Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.

The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.

Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.

The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.

Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.

The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.

At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.

Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.

The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.

Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.

In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.

Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.

Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.

The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.

The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.

Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.

What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.

This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.

Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.

The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.

Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.

Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.

Saturday, April 14, 2007

Rangers lead series 2-0. (Best of Seven)

The Thrashers’ Johan Hedberg and the Rangers’ Henrik Lundqvist put on goaltending clinics Saturday night, but it would be Lundqvist that had the last laugh as the Atlanta Thrashers fell to the New York Rangers 2-1 before 18,803 at Philips Arena in Atlanta, Georgia. Hedberg would win the first star of the game, earning a .949 save percentage, but Lundqvist would win the game, holding Atlanta to just one goal, while stopping 27 of 28 shots. The Thrashers, playing in just their second postseason contest in club history, dating back to 1997, are under pressure to win after going down in the series by two games.

New York’s Sean Avery scored the only goal of the first two periods at 8:08 in the first. The scoresheet would remain blank until the third period, when at 5:35, Illya Kovalchuk scored Atlanta’s only goal of the contest to tie the score, 1-1. The score would remain tied until 15:59, when New York’s Brendan Shanahan beat Hedberg for the game winning goal.

Wednesday, March 16, 2005

The United Kingdom Chancellor of the Exchequer, the Right Honourable Gordon Brown PC MP, in a speech to the British House of Commons today presented his ninth Budget, what is very likely to be his last Budget before the next UK General Election. This opened the parliamentary debate on the 2005 Finance Bill, and was followed by responses from the opposition parties.

In a 48 minute long speech, the Chancellor presented a Budget of “tax cuts that are reasonable, spending that is affordable, and [economic] stability that is paramount”, that was “the prudent course for Britain”. There were few surprises that had not already been indicated in his 2004 pre-Budget report. The increase in the threshold on stamp duty was greater than that forecast by commentators, as was the amount of the Council Tax rebate to households with pensioners.

Wednesday, October 25, 2006

On November 1, 2006 the old five, ten, twenty and fifty cent coins will be illegal tender, but the Reserve Bank of New Zealand says there are still at least 100 million still to be returned.

According to the Reserve Bank, most of the old coins have been lost in drains or buried in rubbish. “We think there is still another 100 million sitting around in people’s homes,” Brian Lang, currency manger for the Reserve Bank, said.

Lang said: “So far, just over 280 million coins have been returned, but there are more out there. Since 1967 the Reserve Bank has issued more than a billion of the old ‘silver’ coins. So if you don’t want to be stuck with loads of old coin – there’s never been a better time to empty your coin jars, sweep the car glove box and rummage behind the couch cushions.”

The coins still awaiting to be handed in, by either spending them, taking them to a bank or donating them to charity, are estimated to be worth between NZ$5 million and $50 million.

“A last-minute burst of publicity may convince people to bring the coins in. It’s a bit of a hassle though. Human nature being what it is, people just don’t care,” Lang said.The Karori Wildlife Sanctuary located in Wellington say that they have collected over $9,000 in old coins. Sanctuary spokesman, Alan Dicks said: “The campaign was particularly fitting because the old coins depicted tuataras and kiwis, both of which can be found living at the sanctuary. The money will go towards supporting general ecological restoration of the sanctuary. We want to get over ten grand, but the more the better.”

Lang said: “Though the coins will no longer be legal tender, banks will continue to exchange them until at least the end of the year,” and the Reserve Bank will always exchange them. “We are still getting people coming in with two-dollar notes,” Lang added.